Ultimate ears soundtap in ears box5/2/2023 ![]() Many of the units will also interface with industry standard protocols:īeheringer- Dante (through the X32 or M32 console only)Īviom-Dante (with a Dante interface unit) ![]() Most systems have the ability to work on Dante or MADI and each manufacturer will have their own proprietary network protocol and are usually brand specific Digital Audio Labs- Dante (with a Dante card for the MIX-16)īeheringer- AES50 (Not exclusive to Behringer)Īviom-Anet (Although others, as I said will also use this protocol) If the digital console runs on a digital network. Both Aviom and Allen-Heath will work with A-net along with Pivitec although theirs is not officially sanctioned. Digital setupĭigital mixers that do not have remote digital snakes, meaning they have analog inputs right on the back of the console usually have some kind of digital card slot for A-net digital network from Aviom. The interface box converts the 16 channels into a “digital” signal and send a copy of said signal down 8 to 10 cat5e cables to each of the personal mixers. Checking the owner’s manual should let you know where the insert point is. It is important to remember that what this is interrupting is the signal path of that channel and is affected by every device in front of the insert point (gain, phase, etc.). These send and return to the inserts on whatever channel/group on the console that you would like to use on that channel of the personal mixer. Most (not all) systems are set up in two ways:įor an analog sound console the system has an interface box with a ¼” in send and return for each of 16 channels. So how do most person mixing systems work? While there is much conjecture on which one to purchase I have some tips on using them that may help once you have them. The user base has also grown as prices and ease of use has narrowed the gap. ![]() Multiple manufactures like Digital Audio Labs, Allen-Heath, Roland, Elite Core, DBX, Behringer, MyMix, and others have joined Aviom in the market. The user landscape was also more limited with mostly mid to large size churches using them on par.įast forward to 2016 and both have changed. There were only a handful of manufactures led by Aviom. Ten years ago, the Personal Mixer landscape was very different. If you are still wrestling with whether or not to use In Ear Monitors, Ultimate Ears has a great set of posts about the way. Personal mixers give each musician or performer the ability to have an individual monitor mix on stage that they are able to control. T his article was originally posted on and reused by permission. Based in Nashville, he serves as project lead for CCI Solutions, which provides design-build production solutions for churches and other facilities. Mike Sessler has been involved with church sound and live production for more than 25 years, and is the author of the Church Tech Arts blog. He has more than 30 years production experience and spent 20 years on church staffs. Van Metschke is the Church Relations guy for CCI Solutions. Guest Post By Van Metschke & Mike Sessler
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